The Hong Kong profile: Nifraz meets Lie Fhung

Nifraz Rifraz meets interesting people who are shaping the world around them in Hong Kong. Lie Fhung is an award-winning, mixed media artist based in Hong Kong. Born and bred in Indonesia, Fhung studied fine arts at Bandung Institute of Technology, majoring in Ceramics Previously working as a designer in Shanghai, Fhung eventually settled in…

A person smiling for a selfie while wearing a green polo shirt and a straw hat, standing by water.
Map of Hong Kong highlighted in green, featuring a red circle with the Hong Kong flag emblem at the center.
A person with short, stylish gray hair wearing a dark embroidered jacket and a green dress, taking a selfie with a smartphone, smiling softly.

Hmmm… I would say that I am an open-minded life-long learner.  I discovered that the older I get, the more there is to learn. Perhaps it’s partly because I like to create, to make things. I’m always interested to figure out how things work, to understand – be it objects, people, nature, or life itself. I am a hermit, a homebody, a bit of a nerd who enjoys the occasional gathering, hiking, and travelling with friends. I love music and dancing. I love reading and creating. I love teaching myself things – these days it’s so much easier with the internet too!

I was a quiet child who enjoyed spending time on my own reading, drawing or making things. My parents were both artistic and allowed their children a lot of freedom. We were free to pursue our interests. I took up piano, ballet, Balinese dancing and karate. I was also a Girl Scout. But what I loved the most was reading and drawing. In school during breaks, my friends would often line up to get my drawings; they would tell me what they wanted me to draw for them, and I would draw it. Looking back, it’s wonderful how a simple drawing on a scrap of paper could make my friends happy!

My Indonesian heritage is actually rather patchy. Growing up, my family didn’t really adhere to a certain tradition – either Chinese or Indonesian. Indonesia has such rich culture across the archipelago. 

So we grew up in a melange of cultures – a little bit of many things. In a way, this is perhaps why we are so open and inclusive.

All photos and images provided by Lie Fhung

I came to Hong Kong via Shanghai following a job as a toy designer, despite my training as an artist. I saw it as an exciting and challenging adventure. Which it was. I learned a lot (hopefully contributed a lot too) and I ended up making Hong Kong my home!

Since late 2019, I have been working for TheBookshop at the Hong Kong Museum of Art, as their Art Director. My responsibilities include handling anything related to the aesthetics and design needs of TheBookshop. From graphic design, web design and online shop building and maintenance, to liaising with makers and art merchandise selection, to product display, signages and promotional materials, and coordinating events and workshops. At times, conducting storytelling for children too! 

Art is a portal, a journey, a state of being that gives us unique access to otherwise inaccessible things within us. It’s a bridge, an invitation for connections. It’s a torch, a mirror. It’s a refuge, a balm. It challenges and inspires. 

Art making is my way to contemplate and to bear witness to personal stories. To spark connections, to expand, to inspire. What I want to convey varies from one work to another.

Nature with their macro and micro glory. Intimate matters of being human: hidden layers within our dreams, memories, bodies, emotions and drives. Their intriguingly complex depth is the source of my awe and inspiration.

I never thought about art form preferences. The form is usually guided by the idea, the concept of the work. Which form works best to realise the idea that I had; which form resonates the most with me and the idea at that moment.

I think the art scene here in Hong Kong has grown so much in the past 15 years. Hong Kong has some really amazing artists. 

Close-up of several tall, textured wooden sculptures with a dark background.
Navigating The Landscape of Loss and Grief (detail)

I have this art project that has been on the back burner for a long time, which I hope to finally be able to dedicate focused time to work on. It might be in the form of a book.

In 2008, I received the Freeman Fellowship Award from Vermont Studio Center, USA. My work flight (2005) was featured in the book, Contemporary Ceramics by Emmanuel Cooper (Thames & Hudson, 2009) and in the permanent collection of the World Ceramics Foundation in South Korea. 

I have  been showing my works in Hong Kong at Sin Sin Fine Art since 2012, and more recently at Hanart TZ Gallery. In 2015, I was awarded Silver Prize by UOB Art Academy Hong Kong. My solo exhibition was held at Dia.lo.gue art space, Jakarta in 2017. 

Hmmm… I am not sure I have any ‘proudest’ artistic achievement… I would perhaps use the words, ‘pleased with myself’… or ‘happy’ with the work…  Each work has its own challenges; I would be pleased with myself when I manage to tackle them. 

To be frank, I haven’t been productive for a while now – especially since I have been working full time at TheBookshop. Simply not enough time and mind space. I brought quite a number of my works to Jakarta for my solo exhibition there in 2017, and most of them are still there – some found their new home there too.

In Hong Kong, I’m represented by Sin Sin Fine Art. My website is where you can see my work easily – though of course, it’s not the same as seeing and experiencing them directly. But installation works just won’t stay displayed after the exhibitions. 

Be honest with yourself, be authentic to your calling. And persist.  Doubts will come again and again. One way to squash them is by persisting; keep on creating in your truest way.  

Artwork featuring a single stylized flower in shades of copper against a dark, textured background, framed elegantly.
Life Force: Terrain: Spark (detail)

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